I wanted to write about the sort of fantastic, fusion feeling of being completely alone in a huge mass of people, yet feeling connected to them by your shared desire to get somewhere more quickly than you probably will. You start thinking like a metro rider - what car do I need to sit in to be closest to the exit at my destination station? What cars will be emptiest? What cars will likely be full of old people you'll have to give your seat up to? What car has the intractable drunk guy stirring up trouble? (Don't worry, he'll be thrown off the train by the sturdy matron at the station.)
I wanted to write about feeling like an ant as I transfer between Sadovaya and Sennaya Ploschad, just one member of a huge throng of people snaking through tunnels hundreds of feet below Piter's noisy streets, dipping and scurrying around babushki with carts and dedushki with canes, dashing down that dangerous zone on the edge of oncoming traffic. Will I crash into the mulleted young man charging towards me, as anxious to get to Sadovaya as I am to Sennaya, or will I make it around this slightly-slower-than-me couple before we collide?
I wanted to write about that unmistakable, yet indescribable, metro smell, that pheromone trail left over the past fifty-odd years by millions of other ants in the tunnels, and how the smell intensifies when the wind picks up as a train comes barreling into the station, its single headlight visible around the bend in the tunnel long before the rest of the train comes into view.
I wanted to write about the dreadful cars on the red line which are painted bright yellow on the inside - and how I noticed that one I rode in sometime last fall was manufactured in 1964! How many passengers has that car faithfully carted from one end of the city to the other, swaying and rocking around the dips and bends in the track?
I wanted to write about the escalators: three minutes down, three minutes up; two if you run down (this gives me vertigo, but I do it anyway if I'm late on the off chance I won't have to wait two or three or, on a slow day, four minutes for the next train), two also if you walk up (thighs and lungs burning, it's a matter of principle to keep climbing, even if I want to stop and just ride). How much of our lives do we spend on escalators, listening to that ever-patient female voice entreating the Dear Residents of Saint Petersburg and Guests of Our City not to sit on the steps of the escalators and to give up our seats for pregnant ladies and old people and not to delay the trains by prying the doors back open to pack a few more in (or to free the poor fellow who jumped in a fraction of a second too late)? In older stations, there are three escalators, the third one is used only during peak hours and in whatever direction has the most traffic. One day I rode the middle escalator up at Nevsky Prospekt, and I noticed what isn't acoustically noticeable from the side escalators: that the exhorting speakers are staggered. That beseeching voice pleaded now from my left, now from my right, then back to the left again, three whole minutes up to the swarming surface of the city. It felt poltergeisty.
I wanted to write about all of that, but never got around to it, until a long-awaited, yet still unexpected shakeup to my metro routine finally arrived. All year rumors have abounded about the new metro line opening in Petersburg. When I got back from Georgia in January, all the maps had been changed in the metro, so I got off at the wrong station, thinking I already lived on a new line. Turned out only one new station was open, so I still lived on my beloved orange line (No. 4). On Sunday, March 7, all that changed.
Here's what the Petersburg metro system looked like before March 7 (click for larger image):
All that has changed. Here's what the new metro scheme looks like (click for a larger view):
The new stations (three of them so far, but four more in the works on the expanding purple line) have a weird building-materials smell. They are impossibly shiny, bright, new. Despite the efforts of the metro cleaning staff, this won't last long. First the vandals will marker them up, and over time that most intense, take-no-prisoners Petersburg grime will set in and those lustrous, slippery granite floors will lose their sheen and become gritty, the walls will start peeling; they will stop feeling so out of place among the older stations. The new escalators have a different mechanism than the old ones; they're slower and bumpier. The new train tunnels sound different than the old tunnels as we zoom between stations at 85 miles per hour. The new male voice announcing the next station is overly perky, cautioning us too cheerfully that the doors are closing, as if we hadn't heard that warning a million times before. Perhaps it's a young voice actor trying too hard, looking for his big break.
I'll get used to it. So will the other three and a half million daily riders of the Petersburg metro (a drop in the bucket compared to Moscow's daily ridership of 9 million). And after I leave, they will continue to adjust as more stations are added and more new lines are opened, bringing those in the new high rises on the edges of the city into the fold with those living in the center. If all goes according to plan, there will be 8 metro lines in Petersburg by 2030. By then, I won't even pretend to know all the transfer stations, or the quickest route to anywhere. For now, I'm focused on remembering that Sadovaya is a purple station.
1 comment:
How very poetic seestor.
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